A Human Is A Complex Organism

Individuals are unpredictable and exceptional creatures as there is a mind boggling association of cells in the human body. The association in the human body is summed up as follows: Cellsâ€> Tissuesâ€> Organsâ€> Systemsâ€> Organism.The same sort of cells which do a particular capacity are composed into a tissue. For instance, a gathering of nerve cells structure a nerve tissue. They are sorted out to cooperate to perform explicit capacities as the consequence of cells in the human body don't work individually.An organ is a gathering of tissue that coordinates to complete a particular life process. For models, epithelial tissues structure veins. A few organs are composed into a system.Each framework comprise of a few organs which are sorted out to do life procedures, for example, breath, propagation and digestion.Various frameworks in the human body are efficient to complete all the existence forms productively. They can work on the grounds that the cell segme nts cooperate to guarantee the endurance of human beings.The human cerebrum is very much evolved to incorporate data's and store them as memory. This permits people to be able to talk, think objectively, make new things, gain for a fact and use dialects. The capacity to do every one of these makes us extremely unique contrasted with other organism.Water is crashed into the tanks to raise thickness and permit the submarine to sink and it additionally siphoned out to decrease thickness and consequently permit the submarine to skim. The tanks can be loaded up with water and air, which permits the submarine to sink or ascend in the water. At the point when a submarine is drifting, its balance tanks are loaded up with air, which makes it less thick than the ocean water it uproots consequently permitting it to skim. Submarines sink when water is allowed into the stabilizer tank. This is on the grounds that the submarine's thickness gets more noteworthy than that of the encompassing water, bringing about negative lightness and making it sink.

The French and Indian War Essay Example For Students

The French and Indian War Essay The French and Indian War Essay The French and Indian War was battled on July 9, 1755. This fight took place at Fort Duquesne, in western Pennsylvania, which was one of the numerous French fortifications in the Ohio Valley. The battle was between the English armed force, which was driven by General Edward Braddock and the French armed force, which was driven by Captain Beaujeau. The English armed force included 1,750 British regulars and 450 frontier volunteer army. The French armed force, which included Indians, included under 1,000 men. We will compose a custom article on The French and Indian War explicitly for you for just $16.38 $13.9/page Request now The English armed force and General Edward Braddock walked through the wild towards the French fortress, Fort Duquesne. The garbs that the British wore were simple to see through the timberland. They were red and exceptionally splendid. A few warriors conveyed banners, some just walked and conveyed their weapons, some were on ponies, what's more, others played music to which the military walked. General Braddock and his English warriors accepted that the correct method to take on a conflict was to position themselves in an open region. The French and Indians holed up behind trees and shakes which was keen since more British shots hit trees than French and Indian fighters when the two militaries battled. Ten miles from Fort Duquesne, Captain Beaujeau and his French armed force made an unexpected assault on the English. The majority of the English troopers were slaughtered and harmed. While riding ponies, General Braddock had four of them shot from under him before he himself was executed. At the point when George Washington was 23 years of age, he drove the frontier volunteer army on a retreat to security. Two ponies were shot from under him and four projectile openings were found in his jacket, be that as it may, Washington himself was not executed. History . The French And Indian War Essay Example For Students The French And Indian War Essay The French And Indian War Essay The French and Indian War was battled on July 9, 1755. This fight took place at Fort Duquesne, in western Pennsylvania, which was one of the numerous French fortifications in the Ohio Valley. The battle was between the English armed force, which was driven by General Edward Braddock and the French armed force, which was driven by Captain Beaujeau. The English armed force included 1,750 British regulars and 450 frontier volunteer army. The French armed force, which included Indians, included under 1,000 men. We will compose a custom article on The French And Indian War explicitly for you for just $16.38 $13.9/page Request now The English armed force and General Edward Braddock walked through the wild towards the French fortification, Fort Duquesne. The regalia that the British wore were simple to see through the woodland. They were red and splendid. A few warriors conveyed banners, some just walked and conveyed their firearms, some were on ponies, furthermore, others played music to which the military walked. General Braddock and his English officers accepted that the correct method to face a conflict was to position themselves in an open zone. The French and Indians took cover behind trees and shakes which was shrewd in light of the fact that more British projectiles hit trees than French and Indian fighters when the two militaries battled. Ten miles from Fort Duquesne, Captain Beaujeau and his French armed force made an unexpected assault on the English. The majority of the English officers were executed and harmed. While riding ponies, General Braddock had four of them shot from under him before he himself was slaughtered. At the point when George Washington was 23 years of age, he drove the pioneer civilian army on a retreat to security. Two ponies were shot from under him and four slug openings were found in his jacket, be that as it may, Washington himself was not executed. . The French and Indian War Essay Example For Students The French and Indian War Essay The French and Indian War Essay was battled on July 9, 1755. This fight occurred at Fort Duquesne, in western Pennsylvania, which was one of the many French posts in the Ohio Valley. The battle was between the English armed force, which was driven by General Edward Braddock and the French armed force, which was driven by Captain Beaujeau. The English armed force included 1,750 British regulars and 450 provincial volunteer army. The French armed force, which included Indians, included under 1,000 men. The English armed force and General Edward Braddock walked through the wild towards the French stronghold, Fort Duquesne. The outfits that the British wore were anything but difficult to see through the timberland. They were red and exceptionally brilliant. A few officers conveyed banners, some just walked and conveyed their weapons, some were on ponies, and others played music to which the military walked. General Braddock and his British warriors accepted that the correct method to take on a conflict was to situate themselves in an open region. The French and Indians took cover behind trees and shakes which was brilliant on the grounds that more British shots hit trees than French and Indian fighters when the two armed forces battled. We will compose a custom article on The French and Indian War explicitly for you for just $16.38 $13.9/page Request now Ten miles from Fort Duquesne, Captain Beaujeau and his French armed force made an unexpected assault on the English. The majority of the British troopers were executed and harmed. While riding ponies, General Braddock had four of them shot from under him before he himself was slaughtered. At the point when George Washington was 23 years of age, he drove the provincial state army on a retreat to wellbeing. Two ponies were shot from under him and four projectile gaps were found in his jacket, however Washington himself was not slaughtered. . The French and Indian War Essay Example For Students The French and Indian War Essay In July 1755, a couple of miles south of Fort Duquesne, presently Pittsburg where the Alegheny and Monongahela waterways meet, a consolidated power of French and Indians trapped British and pilgrim troops. This disaster was to eventually turn into the beginning stage of The French and Indian War Essay. During the Seven Years War, as the French and Indian War is generally called, there were wins and misfortunes on the two sides, at the end of the day the British were triumphant with the assistance of William Pitt. Nonetheless, the War caused England numerous financial, political, and ideological tribulations with the American homesteaders. In light of a French danger to Englands western wildernesses, delegates from seven northern and center states assembled in Albany, New York, in June 1754. We will compose a custom article on The French and Indian War explicitly for you for just $16.38 $13.9/page Request now With the support of manages in London, they looked for two objectives: to convince the Iroquois to desert their conventional nonpartisanship and to arrange the guards of the provinces. This Albany Congress prevailing in not one or the other. While the Albany Congress agents pondered, Governor Robert Dinwiddie of Virginia sent a little military power westbound to counter the French moves. Virginia guaranteed responsibility for, and Governor Dinwiddie planned to keep the French from establishing their changeless post there. Nonetheless, the civilian army bunch was past the point of no return, for the French were at that point developing Fort Duquesne at the vital point where the Monongahela and Allegheny Rivers meet. George Washington was twenty-two and directed the Virginian local army who assaulted a French separation and in the end gave up following a day-long fight during which more than 33% of his men were killed or injured. Washington had committed an enormous error that would in the long run set of a war that would include almost the whole world. America, mayest well celebrate, the Children of New England might be happy and triumph (Doc. E). Driven by William Pitt, a non military personnel official that was set responsible for the war exertion in 1757, Britain sought after a military methodology that was inadequate in the years earlier. In July 1758, British powers recovered the stronghold at Louisburg, removing the significant French flexibly course. In a marvelous assault in 1759, General James Wolfes troopers vanquished the French on the Plains of Abraham and took Quebec. After a year the British caught Montreal, which was the keep going French fortress on the landmass, which finished the American period of the war. In the Treaty of Paris, France surrendered its significant North American possessions to Britain. In this way the British eventually dealt with the landmasses hide exchange after the French surrendered Louisiana to Spain for halfway remuneration for its allys misfortunes. The English seacoast states would no longer need to stress over the danger of their reality presented by Frances broad North American regions. See Map (Doc. A)} However, with the desserts come the sharp. The incredible triumph over France irreversibly affected North America. An uprising lead by Pontiac, a war boss from the Ottawa town, demonstrated Great Britain that the immense domain as of late obtained from France was difficult to oversee. With no experience overseeing such a tremendous territory, London authorities gave the Proclamation of 1763 in October which expressed that the headwaters of waterways streaming into the Atlantic from the Appalachian Mountains would be the impermanent western limit for pilgrim settlement. Expected to forestall conflicts by denying pilgrims to move onto Indian terrains it immediately turned into an unenforceable approach that was bound to disappointment. Different issues, for example, monetary issues and political difficulties emerged quickly after the Seven Year War. the income emerging is exceptionally little and negligible and isn't adequate (Doc F). The hard-won triumph in the French and Indian War cost the British a huge number of pounds and made a tremendous war obligation. Britains weight of obligation almost multiplied since 1754, from 73 million pounds to 137 million pounds. In the wake of thinking about their hardships, England felt it just right that the American homesteaders should pay a lot of the obligation for the Empire since they profited so significantly from the wartime uses. Through acts, for example, the Sugar Act and the Stamp Act, American pioneers had to address significant expenses to

Oranges and Fair Trade Essay

In the two sonnets â€Å"Oranges† and â€Å"Fair Trade† by Gary Soto, the creator investigates the repetitive subject of empathy and pride. The two sonnets have a few different ways to show the subject. The sonnet â€Å"Oranges† is about youthful love and knowing how it once felt. Toward the start of the sonnet, I get the feeling that the kid is somewhat anxious in meeting his young lady as he states, â€Å"Cold and weighted down/with two oranges in my coat. † Surely two oranges aren’t going to overload anybody, consequently the picture depicted must be the anxiety alongside the expectation of seeing gathering her. As I strolled toward/her home, the one whose/patio light consumed yellow/night and day, in any weather,† educates me regarding his consuming energy for her. â€Å"She came out pulling/at her gloves, face brilliant/with rouge,† reveals to me that she is additionally eager to see him and that she is either becoming flushed or has applied some cosmetics in the way a youthful unpracticed lady would. As she comes out of her home, a portion of that anxiety exits him since he grins and even has the mental fortitude to contact her shoulder. The line about the â€Å"used vehicle lot† and â€Å"newly planted trees† is symbolism about his world and what sort of life he lives. As they go into the drugstore and take a gander at the confections, the kid is presumably feeling just because a feeling of development as he asks her what she needed; on the grounds that he’s ready to get her something. â€Å"The lady’s eyes met mine,/and held them, knowing/very well what it was all/about. † The symbolism here gives some pressure to the peruser: â€Å"Will the kid request that the young lady change her choice? Will the saleslady request money or no deal? In spite of the fact that his mental fortitude is noteworthy, the hazard was likewise a sheltered and clever wager: If the saleslady had wouldn't respect his orange for installment, he would in any case have the two oranges to impart to the young lady on their way home. The oranges give the storyteller â€Å"weight† and significance, and afterward they turned into a mode of trade used to purchase the treats. â€Å"I took my girl’s hand/in dig for two blocks,† The boy’s reference to the young lady as â€Å"my girl,† shows that he currently feels in charge. The kid substantiates himself and dazzles the young lady, which was the objective in any case, and he is remunerated for his fortitude by being permitted to hold her hand on the walk home. As the storyteller depicts â€Å"I stripped my orange/that was so brilliant against/the dark of December/that, from some separation,/somebody may have thought/I was making a fire in my hands,† represents the new vitality of certainty he has in himself, just as his expanded love for his young lady. Thus, the symbolism in this sonnet mirrors the boy’s battle in life from puberty to adulthood. The sonnet â€Å"Fair Trade† is about cash, pride, and compassion. The title emitted an atmosphere of mockery as he states, â€Å"she stated, â€Å"Dollar thirty,†/I thought, No meat or margarine. It wasn’t actually a reasonable exchange, in light of the fact that a dollar thirty for two cuts of bread is very costly at his time. Neither did the server offered meat nor margarine. â€Å"The man/faltered, at that point mishandled for/coins from his pocket,† reveals to me that the man is poor, since he wouldn’t have been shocked on the off chance that he have loads of money. Just the storyteller identify the Mexican man as he states, â€Å"I cut the carrots,/harming for this man. † I presume that the bread might not have fulfilled the man since he didn’t leave anything on his plate. Toward the finish of the sonnet, the storyteller reveals to us that the experience had left him an imprint, that he wouldn’t overlook the memory of that day. The pictures of the sonnet mirror the Mexican man’s pride and the narrator’s sympathy towards him. The two sonnets show us a similar exercise; â€Å"Compassion originates from seeing others battle. † The poems’ likenesses are that the two of them have individuals who show thoughtful pity and worry to other people. In the sonnet â€Å"Oranges,† the storyteller portrays sympathy by his own understanding, how pride influenced him. Then again, the sonnet â€Å"Fair Trade,† depicts the narrator’s translation of pride.

Gothic Themes in Brontë’s Wuthering Heights, Stoker’s Dracula, and Poe’s poetry - Literature Essay Samples

The presentation of the Gothic has spanned the centuries, gripping each and every reader with its dastardly plot and unsuspecting victims. The Castle of Otranto, written in 1764 by Horace Walpole, ‘is generally regarded as the first Gothic novel’[1]. However, the Gothic genre itself has a ‘clear Shakespearian imprint’[2]. Macbeth, exploiting both manipulative witches and clandestine murder, embodies many elements of this particular genre. This can also be seen even today in the writings of novelists such as Angela Carter in her novel, The Bloody Chamber, and this can aid us in exploring the importance and profundity of the Gothic genre today. Expressionism in theatre, as an example, attempted to demonstrate the ‘inner workings of the human mind’[3] and sought to embody some elements of the Gothic whilst doing so. German playwright, Georg Bà ¼chner’s, most famous and influential drama, Woyzeck, portrays the ‘psychological deteriorat ion of a lower-class soldier’[4] due to the oppression by the upper classes. This play, along with many others of its time, embraced the Expressionist ideas and created a focus on the psyche of the human mind and all its inherent horrors. Many have attempted to seek full understanding of why the human mind is so fascinated by these tales of madness and chaos, why Gothic has gripped readers since the beginning of recorded history. Was the lure of the terrified heroine and the tall, dark Byronic hero impossible to resist? Or does the obsession with the Gothic stem deeper, into the very heart of the human mind? The characters within Wuthering Heights, Dracula and Poe’s poetry experience internal conflict through the Gothic portrayal of themes in both European and American Literature. Death within Gothic writings appears to be generally connected to the female characters, possibly implying a stereotype from 19th Century society of the frailty of women. In her novel, On Death and Dying, Elisabeth Kà ¼bler-Ross examines the five stages experienced by a person after the devastating news of an impending death has been given. The first stage, aptly termed ‘Denial’, functions as a ‘buffer’ and a ‘temporary defence’[5] before partial acceptance can be reached. Catherine Earnshaw in Brontà «Ã¢â‚¬â„¢s Wuthering Heights exhibits this fundamental idea as she proclaims, ‘No, I’ll not die.’ Her certainty that, should she so wish, she could prevent her demise could be an indicating factor of her denial or terror at this actually happening. Her subsequent ‘He does not love me at all – he would never miss me’ adds to the idea of her ever-present fear of death. The use of the dash, also seen after th e first statement, indicates a more hurried, rushed tone with the possibility of a pause hinting the struggle to draw breath. Also, short sentences in this extract highlights Catherine’s determination to create her own destiny and this indicates at a strength to her character that has been conspicuously absent in recent chapters. Catherine’s death marks a devastating transformation within the text, beginning with her inherent madness displayed in the extract above. Her death and the birth of her daughter enables all the structural repetitions that are such an important feature, which aid in the atmosphere of mystery within the novel. Many of her attributes can be seen in the actions of both Lucy Westenra and Mina Harker in Stoker’s, Dracula. Lucy and Mina are constantly plagued with Dracula’s demonic presence, determined that the ‘Angel of Death’ is swiftly approaching. The personification used with ‘Angel of Death’ illustrates t he idea of Count Dracula himself as the devil, or bringer of ‘Death’. Stoker uses the visual imagery ‘red eyes’ like ‘burning flames’ to emphasise this idea, with the diction ‘red’ and ‘flames’ perhaps symbolising the fires of hell. ‘Stoker borrowed the name ‘Dracula’ from the historical personage better known to us (though not to Stoker) as Vlad the Impaler.’[6] Vlad III of Wallachia, or Vlad the Impaler, ‘consequently became known as Dracula, meaning son of the dragon†¦the fact that ‘dracul’ also means ‘devil’ in Romanian adds an additional intimidation connotation to the name’[7]. This adds significance to the theme of death within the novel because Vlad murdered thousands in his quest for power. His reign of terror mimics Dracula’s own. This idea brings us back to the ‘Angel of Death’, who, with this in mind, couldn’t b e anything less than Dracula, son of the devil. The audience presented with Poe’s poetry are not given characters in the same detail they receive with both Dracula and Wuthering Heights, but are instead given an anonymous narrator and the memory of beautiful women. This may have been due to the ‘repeated loss of women throughout his life,’[8] most notably his mother, Elizabeth, and his young bride, Virginia Clemm. ‘Lenore’ repeatedly makes an appearance throughout his poetry, as ‘Catherine’ does throughout Lockwood’s stay at Wuthering Heights, and Poe, or, more accurately, his narrators, appear to have the same sort of obsessive qualities seen in both Heathcliff and Count Dracula. The Raven and Lenore share the name of a dead woman, however, both approach this subject in a different manner. In The Raven, the narrator is in utter despair after having lost his beloved, believing that he will see her ‘nevermore’. In Leno re, on the other hand, the narrator believes that he will be reunited with his ‘Lenore’ in heaven, stressing the possible links between death and the supernatural within this poem. It is possible that there is a reflection of Virginia Clemm in the repetition of ‘lost Lenore’ and, therefore, both poems could be a replication of the devastated state her death left Poe in. Lenore also uses the wording ‘never more’, rhyming it with ‘Lenore’, to create an emphasis on this idea that the speaker will never see ‘Lenore’ again and how they will be reunited one day in heaven, but that day cannot be any time soon. The narrator of Annabel Lee also exhibits these obsessive qualities, as the name ‘Annabel Lee’ is repeated no less than seven times throughout the poem. This repetition could either emphasise the narrator’s fanatical obsession with his ‘beautiful Annabel Lee’ or his devastation at her de ath, as it is hinted that the two were married previously. Lenore mentions: ‘a saintly soul floats on the Stygian river’, which could be another reference to Hell, as the ‘Angel of Death’ was. The allusion to the river Styx, belonging in the underworld, highlights this idea of the devil, such as Count Dracula, and even Heathcliff has been described as something less than a man, as detailed by Isabella Linton: ‘Is he a man? If so, is he mad? If not, is he the devil?’ The theme of madness has reference to certain beings as monsters due to their inherent madness, indicated primarily through devil-like imagery. Madness also seems related to the theme of obsession. Poe’s poems appear to be quintessentially centred around the themes of madness and obsession and there is a popular suggestion that this stems from his own life. Poe ‘immersed himself in the overlay of dream states with reality and in the clouded reasoning and uncontrolled perversions of insane protagonists’ (Mary Ellen Snodgrass)[9] and this view can be seen within many of his poems. There is contextual evidence, such as the repetition of the name ‘Lenore’ in The Raven, to suggest a constant madness. The character of the ‘Raven’ within the poem may be used to illustrate the narrator’s descent into grief-stricken madness; the ‘Raven’ only serves to remind him of his loss. Annabel Lee, another of Poe’s most influentia l poems, highlights ‘Annabel Lee’s’ death. The narrators subsequent descent into madness encourages the idea that the female mentioned was an important factor in not only the life of the narrator but also Poe’s as well. Dawn Sova, a well-known literary critic, believes this woman to be his lost Virginia Clemm, but she also goes on to argue that ‘after his death, other women, including Sarah Anna Lewis, Helen Whitman, and Sarah Elmira Royster, claimed that they had been immortalized in this poem’[10]. Unfortunately, for contemporary critics, it is uncertain whom the poem was actually aimed at, although many agree with Sova’s statement. One thing can be certain, however, and that is that the devastated narrator is slipping into a grief-stricken madness throughout the course of the poem. Mary Ellen Snodgrass also highlights that: ‘insanity is a pivotal theme in Gothic literature, in part as a retreat of the mind from sensational or m acabre events and apparitions that overthrow reasons’[11]. The 19th Century audience presented with the Gothic revival and this type of literature, as Snodgrass described, used it as an escape from their everyday, mundane lives. Another poem that emphasises the possible madness of an anguished narrator is Alone. The speaker appears scattered throughout this poem, utilizing conflicting views such as: ‘my sorrow – I could not awaken / my heart to joy at the same tone’. The oxymoron within these two lines creates an eerie atmosphere that adds to the idea of the infrequent musings of the narrator. As with his other work, this is most likely as a result of the death of a beautiful woman, highlighting that the impact of death within this poem, as will most others, was enough to drive the narrator to madness. Whereas Poe’s poetry has the pivotal theme of the madness and obsession of the narrator, Catherine Earnshaw’s ‘decline into madness sign ificantly occurs in the domestic confines of her room in Thrushcross Grange’[12]. Some critics have read Catherine’s character as an externalisation of Brontà «Ã¢â‚¬â„¢s own desires, as Cathy’s life had the romance, danger and excitement that was conspicuously absent from Brontà «Ã¢â‚¬â„¢s own. However, unlike Catherine, Brontà « never released herself to her inner demons and gave into the insanity that lived within her brother, Branwell. In her ‘feverish bewilderment’ Catherine uses diction such as ‘turkey’, ‘wild duck’ and ‘pigeon’ to highlight her unwilling imprisonment. Usually birds such as these roam free in the wilderness, like Cathy was as a child wandering the moors, but with their feathers plucked out and placed into pillows, they have been caged and imprisoned. It appears, through the language ‘they put pigeon’s feathers in the pillows – no wonder I couldn’t die’, that Cathy feels she, like the birds, has been unwillingly caged. This reflects back to The Raven because Catherine’s birds have been confined as the narrator in The Raven is through his descent into madness. As Hila Shachar demonstrates in her novel, Cultural Afterlives and Screen Adaptations of Classic Literature: Wuthering Heights and Company, Thrushcross Grange ‘highlights the power struggles and feelings of frustration with the roles Catherine is expected to enact as a middle-class woman and wife’[13]. Many women within the three literary forms appear to create the same mentality Shachar believes Catherine exhibits, Stoker’s Mina Harker especially employing her determination in order to work with her male counterparts to finally vanquish Dracula. However, neither Mina nor Lucy employ significant elements of madness or obsession within the novel. This may have appeared uncharacteristic to a 19th Century audience because women were seen as weaker and m ore fragile than their male equivalents. With this in mind, Stoker still fashioned the character of Renfield to express madness and almost demonic obsession, especially highlighted through the diction: ‘I am here to do your bidding, Master. I am Your slave.’ A significant example of Dracula’s hold over the mortal man can be explained through use of the language ‘You’, ‘Your’, and ‘Master.’ Renfield’s madness began at Castle Dracula, just as Jonathan Harker’s did, indicating that the superstitions held by the locals in Transylvania may have been true. Therefore, Dracula’s purely demonic presence and emphasis on the ‘Devil’ may have been an indicating factor in the subsequent madness of his companions. As Andrew Smith details in his novel, Gothic Literature, dreams and the supernatural ‘possess a peculiar surrealism and rich symbolism’[14] within the Gothic tradition. The idea of the supernatural echoes within the work of all three authors, intertwined with the product of dreams and their devastating effects on a Victorian society haunted by superstitions. The supernatural, most especially the product of dreams in Brontà «Ã¢â‚¬â„¢s novel, comes to a head throughout chapter three, foreshadowing the death of the mysterious Catherine Earnshaw as she finally returns after having ‘lost [her] way on the moor’. Use of the diction ‘I pulled its wrist onto the broken pane and rubbed to and fro ‘til the blood ran down and soaked the bedclothes’ highlights the power of Lockwood’s dream. ‘Blood’, in particular, emphasizes the possibility of the ethereal encounter being a dream because, once ‘awakened’, Lockwood men tions no note of any blood soaking the ‘bedclothes’. Unlike Stoker’s Dracula, who created horrified feelings from his Victorian audience from his induction, in this extract Brontà « appeals to the empathetic nature of her audience in order to create a supernatural being that could be sympathized with. Harsh, severe language, such as ‘terror made me cruel’ and ‘rubbed to and fro ‘til the blood ran down’, reinforced this attitude. Vanessa Dickerson, as explained in her novel, Victorian Ghosts in the Noontide: Women Writers and the Supernatural, believes that: ‘It is the wild, heathered, and pristine moor unattached to any dwelling, unbounded by fence or wall, that expanse between Thrushcross Grange and Wuthering Heights, between heaven and hell, that provides the space for Catherine and Heathcliff’s spirits.’[15] As the two are kept apart by forces beyond themselves, such as the unsuspecting Lintons or Heathcliff’s lower status, Brontà « appears to imagine that the expanse between ‘heaven and hell’ is the only hope for the doomed relationship the two face, with their spirits being reunited in death. Unlike Brontà «Ã¢â‚¬â„¢s presentation of the supernatural, Stoker’s supernatural takes the form of a figure who has instilled fear in the world since its creation. While the characters in Wuthering Heights reference the supernatural in passing, intertwined with superstition and religion, Robert Bisang and Elizabeth Miller believe that the survival of the protagonists within Dracula ‘will depend on their ability to understand, predict and control a supernatural menace.’[16] It is not just the Count, however, that needs to be ‘understood, predicted and controlled’. Lucy is described using the lyrical language: ‘in trance she died, and in trance she is Un-dead, too.’ This quotation appears to personify something that already has a humanoid appearance. Stoker repeatedly uses this reference to emphasize Dracula’s considerable power whilst also accentuating his devil-like nature. Also, at her transformation, Stoker uses the eerie imagery ‘the Thing in the coffin writhed’ to highlight the wickedness of vampires in general rather than creating a focus entirely on the Count. Stoker also emphasizes, as Brontà « does, the position of women within Victorian society. Bisang and Miller emphasize that Lucy ‘succumbs to Dracula’s embrace to become a feminine version of the Count’[17], emphasizing the thoughts of men towards women within the 1800s. However, they then go on to explain that ‘Mina resists his advances and the promise of immortality’[18] in order to remain human. This emphasises the idea that Mina, whilst still an 18th Century woman, is twisting the expectat ions of her society and aiding her male counterparts in vanquishing Dracula. Therefore, unlike Lucy, the supernatural within the Count hasn’t succeeded in diminishing her spirit and emphasizing his control. While Poe doesnt particularly reference the immortality of vampires or any creatures of the night as Stoker does, he ultimately references the supernatural through apparitions that could be either dream or reality, such as in The Raven. Rà ºben Darà ­o, an influential Nicaraguan poet, journalist, and diplomat, related Poe’s ‘lack of religious faith or belief in the supernatural to his mathematical turn of mind’[19]. Despite this apparent ‘lack of religious faith or belief in the supernatural’ that exact concept appears to run rife throughout his poetry. Annabel Lee references ‘angels’ and ‘Heaven’, accentuating the religious and superstitious beliefs of the time and stressing that this notion of the poet’s personal thoughts may not be as correct as it first appears. The narrator appears to blame ‘Annabel Lee’s’ death upon the ‘angels’ and ‘demons’, who were jealous of their love. Poe portrays the supernatural through symbolism by stating ideas that clearly aren’t tangible and expresses them through a deeper, more profound meaning. He emphasises the cruelty of death because it has taken his one true love. However, he also appears to reiterate that his love is eternal and not even death can part them, emphasised through the diction: ‘neither the angels in Heaven above / nor the demons down under the sea / can ever dissever my soul from the soul / of the beautiful Annabel Lee’. The enjambment used at the end of each line represents a stream of consciousness, in which the narrator is detailing with stark accuracy that, no matter whether the supernatural beings were jealous of their love, their souls can never be severed an d they can never be parted. A Dream Within A Dream can also be taken as the narrator’s devastation at the loss of a beautiful woman. The repetition of ‘while I weep’ emphasises this and, like Brontà «, Poe immortalises the ‘dream’ to highlight the narrator’s devastation that everything he appears to ‘see or seem’ is just a ‘dream within a dream.’ Pathetic fallacy is routinely described as the attribution of human feelings and responses to inanimate things or animals, most often relating to nature and especially in art and literature. Pathetic fallacy is used in all three literary works to represent tenacious emotions, such as devastation or loss, in order to emphasise the effect of such emotions. Its relation to the Gothic genre, however, as Suzanne Roberts describes, stems from the ‘personification of the landscape’[20], such as in the ‘storm [that] came rattling over the Heights in full fury’ the night of Heathcliff’s disappearance. Brontà « utilised her power over the weather to ‘explore certain limits of experience with the help of the analogy of violent or peaceful forms of nature’[21]. For example, the use of ferocious language in this extract, such as ‘violent wind’ and ‘growling thunder’, highlights the effect Catherine’s harsh words had o n Heathcliff when she mentioned to Nelly that should she marry him, they would ‘be beggars’. Brontà « uses ‘full fury’ to personify the ‘storm’ to emphasise the extent of Catherine’s betrayal of Heathcliff’s love and devotion. Despite the emergence of the Industrial Revolution in 19th Century England and, therefore, the appearance of additional buildings in the suburbs, Londoners would have wanted to read a novel set in the roaming moors of Yorkshire because it would have been far removed from their own lives. Consequently, Brontà « would have employed pathetic fallacy to further draw her city-bound readers into the tale of childhood friendship and forbidden love. The diction used within the extract previously mentioned would, therefore, have been used to create feelings of sympathy towards both Catherine and Heathcliff. A particular example of the use of ‘violent’ language to explore the ‘limits of experience ’ would be in Stoker’s, Dracula, as Lucy is wandering in the churchyard. The churchyard by day is described by Mina as a ‘lovely place’ and the ‘nicest spot in Whitby’, which creates a drastic change from later on in the novel, where Lucy is seduced into walking out there in the dark. Stoker uses an oxymoron to create atmosphere by mentioning the ‘bright full moon’ with ‘heavy black, driving clouds’. The personification of the clouds, through use of the diction ‘driving’, implies devastating consequences and Stoker used this, just as Brontà « did, in order to create a feeling of sympathy for the characters. However, unlike the both Brontà « and Stoker, Poe didn’t utilise pathetic fallacy to create sympathy towards certain characters. Instead, he used it as a mere statement of fact, most often highlighting the death of beautiful women. The Raven uses the diction ‘silken sad uncertain rustlin g of each purple curtain’. The rhyme used with ‘uncertain’ and ‘curtain’ highlights the feeling of unease the narrator is feeling throughout the whole poem, while the alliteration ‘silken’ and ‘sad’ emphasises the narrator’s inner feelings at the loss of ‘Lenore’. Pathetic fallacy and the personification of the curtain, therefore, accentuates the narrator’s, and by extension, Poe’s distraught and disturbed emotions. The City in the Sea, another example of Poe’s poetry, employs pathetic fallacy through the diction ‘melancholy waters lie’. Although not expressly mentioning weather, as much of the Gothic did, the narrator’s obvious indulgence in the pathetic fallacy ‘indicates Poe’s critical distance from the narrator’s sentimental endowment of natural objects with human significance.’[22]. The significance of Pathetic fallacy not just in po etry but also within all works of the Gothic is that it personifies of the powerful emotions felt by certain characters, and this, in turn, creates an eerie, unbreakable atmosphere that draws the reader into the hypnotising tale. These three literary works demonstrate the clear similarities between European and American Gothic themes such as the ones studied. The underlying topic in all three rests on the portrayal of themes within this particular genre. Violence, not studied but none-the-less extremely prevalent, is an example of a Gothic theme, one most highlighted in the work of European novelists. Whether just in Poe’s work or in American Gothic in general, this theme remains conspicuously absent. Poe’s clear instability, emphasised throughout his poetry, adds to the thought that, despite his possible insanity, he was not a particularly violent character. The revival of the Gothic, both in Europe and America, created the framework for the possibility to understand the workings of human minds such as Poe’s. As Fred Botting declares at the beginning of his novel, Gothic, ‘in the contrasts displayed in Gothic presentations of darker themes, criticism finds an explicit invitation t o indulge in traditional psychoanalysis: Gothic becomes a fiction of unconscious desire, a release of repressed energies and antisocial fantasies.’[23] Word Count: 2,999 BibliographyKristie Leigh Musgrove (2008), Lilith Rising: American Gothic Fiction and the Evolution of the Female Hero, page 5. Jerrold E. Hogle (2002), The Cambridge Companion to Gothic Fiction, page 21. Andrew Smith (2007), Gothic Literature, page 7. William Downs, Wright, Erik Ramsey (2012), The Art of Theatre: A Concise Introduction, page 203. Michael Bodden, (2010), Resistance of the National Stage: Theater and Politics in Late New Order Indonesia, page 142. Elizabeth Kà ¼bler-Ross (2011), On Death and Dying, page 32 Elizabeth Miller (2005), Dracula Handbook, page 88. Edited by Jeffrey Andrew Weinstock (2014), The Ashgate Encyclopedia of Literary and Cinematic Monsters, page 178 Edgar Allan Poe (2013), The Works of Edgar Allan Poe (Annotated): Volumes I and II. Mary Ellen Snodgrass (2009), Encyclopedia of Gothic Literature, page 189. Dawn B. Sova (2007), Critical Companion to Edgar Allan Poe: A Literary Reference to His Life and Work, page 25. Mary Ellen Snodgrass (2009), Encyclopedia of Gothic Literature, page 189 Hila Shachar (2012), Cultural Afterlives and Screen Adaptations of Classic Literature: Wuthering Heights and Company, page 174. Hila Shachar (2012), Cultural Afterlives and Screen Adaptations of Classic Literature: Wuthering Heights and Company, page 174. Andrew Smith (2007), Gothic Literature, page 6. Vanessa D. Dickerson (1996), Victorian Ghosts in the Noontide: Women Writers and the Supernatural, page 71. Bram Stoker, Robert Bisang, Elizabeth Miller (2008), Bram Stoker’s Notes for Dracula, page 292. Bram Stoker, Robert Bisang, Elizabeth Miller (2008), Bram Stoker’s Notes for Dracula, page 292. Bram Stoker, Robert Bisang, Elizabeth Miller (2008), Bram Stoker’s Notes for Dracula, page 292. Lois Davis Vines (2002), Poe Abroad: Influence Reputation Affinities, 218. Suzanne L. Roberts (2008), The EcoGothic: Pastoral Ideologies in the Gendered Gothic Landscape, page 3. Edited by Valeria Tinkler-Villani, Peter Davidson, Jane Stevenson (1995), Exhibited by Candlelight: Sources and Development in the Gothic Tradition, page 105. Edited by Shawn Rosenheim, Stephen Rachman (1995), The American Face of Edgar Allan Poe, page 307. Fred Botting (2005), Gothic. [1] Jerrold E. Hogle, The Cambridge Companion to Gothic Fiction (2002)[2] Andrew Smith, Gothic Literature (2007)[3] William Downs, Wright, Erik Ramsey, The Art of Theatre: A Concise Introduction (2012)[4] Michael Bodden, Resistance of the National Stage: Theater and Politics in Late New Order Indonesia (2010)[5] Elizabeth Kà ¼bler-Ross, On Death and Dying (2011)[6] Elizabeth Miller, Dracula Handbook (2005)[7] Edited by Jeffrey Andrew Weinstock, The Ashgate Encyclopedia of Literary and Cinematic Monsters (2014)[8] Edgar Allan Poe, The Works of Edgar Allan Poe (Annotated): Volumes I and II (2013)[9] Mary Ellen Snodgrass, Encyclopedia of Gothic Literature (2009)[10] Dawn B. Sova, Critical Companion to Edgar Allan Poe: A Literary Reference to His Life and Work (2007)[11] Mary Ellen Snodgrass, Encyclopedia of Gothic Literature (2009)[12] Hila Shachar, Cultural Afterlives and Screen Adaptations of Classic Literature: Wuthering Heights and Company (2012)[13] Hila Shachar, Cultural Afterli ves and Screen Adaptations of Classic Literature: Wuthering Heights and Company (2012)[14] Andrew Smith, Gothic Literature (2007)[15] Vanessa D. Dickerson, Victorian Ghosts in the Noontide: Women Writers and the Supernatural (1996)[16] Bram Stoker, Robert Bisang, Elizabeth Miller, Bram Stoker’s Notes for Dracula (2008)[17] Bram Stoker, Robert Bisang, Elizabeth Miller, Bram Stoker’s Notes for Dracula (2008)[18] Bram Stoker, Robert Bisang, Elizabeth Miller, Bram Stoker’s Notes for Dracula (2008)[19] Lois Davis Vines, Poe Abroad: Influence Reputation Affinities (2002)[20] Suzanne L. Roberts, The EcoGothic: Pastoral Ideologies in the Gendered Gothic Landscape (2008)[21] Edited by Valeria Tinkler-Villani, Peter Davidson, Jane Stevenson, Exhibited by Candlelight: Sources and Development in the Gothic Tradition (1995)[22] Edited by Shawn Rosenheim, Stephen Rachman, The American Face of Edgar Allan Poe (1995)[23] Fred Botting, Gothic (2005)

Effects Of Advertising On Children s Youth - 922 Words

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Kant Essay example - 1045 Words

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Introduction to Management CSL & Macquarie Group

Question: Discuss about theIntroduction to Management for CSL Macquarie Group. Answer: Introduction: CSL Group Vision Mission CSL is having strong belief regarding security, quality and also the customers they attend. Its wide research and development, the variety of sustenance facilities shows that we are still assured to all the consumers who rely on our produces. CSL Behring aims to provide people with best probable treatments and amenities (About CSL Behring, 2016). CSL Behring mission is to be a developing Australian communal industry focusing in biological goods aiding both Australian and intercontinental wellbeing. Values The CSL Behring Values fix a ground for operating through the association and aids in deciding in different businesses that forms a part of CSL Behring. The values defined by CSL group in year 2002 are (About CSL Behring, 2016): Emphasis on consumer - We are passionate about meeting the needs of our customers New inventions - We seek better ways of doing things Truthfulness - We are ethical and honest at all times Teamwork - We work together to achieve better results Greater Performance - We strive to be the best at what we do Corporate Responsibility At CSL, Business Responsibility tells us about leading our profession morally and thus making a cause towards the economy, society and environmental health of the societies. They consider that working sensibly is important for the existence of the company (About CSL Behring, 2015). The major areas are: CSL line up its corporate responsibility according to its business aims and make sure that it pairs with exclusive abilities and profits of their shareholders. Finding and making fresh medicines for requirements which are not met and repeatedly cultivating protein-based treatments for patients; They make sure that the treatments are harmless and good in quality by preserving the best criteria while working through the development of the product. Functioning ethically in the market by selling the medicines in a logical way, working as a team to provide people with all information Giving a healthy environment by creating an atmosphere of common faith and honor, thus making people doing their task efficiently and identifying and praising their part. Reducing the effect on environment by managing sensibly the functions and wealth of nature not on the sake of security, quality and availability of the treatments. Stakeholders CSL respect involvement of shareholder as the basis of business responsibility and recognized stakeholders as the workers, patients, financiers, managers, dealers, government, healthcare specialists, plasma donors, corporate associates and the educational and technical society. MacquarieGroup Vision Mission Macquarie has a goal to encourage larger profits and make greater and bearable stakeholder value in accordance with the potential of shareholder for developing good business control. Throughout its history, Macquarie has exhilarated its workers and dealings to see more prospects during its functioning in a solid threat management outline (Welcome back: discover the Macquarie..., 2016). Our aim is to seek prospects for the profit of the people and the stakeholders. They work in a corporate to earn profit in the way best suited to them. Their methodology of working is laid on 3 values: Opportunity- They strive to find chance and comprehend the same for its society, customers, stakeholders and people. Macquarie workers begins with actual information and ability. They emphasize new inventions, cleverness and risk-taking spirit. They upkeep its people to accomplish and flourish. They apprehend opportunity as, honoring new style of thinking and participation of people. Accountability- After opportunity is liability. The people are liable to all the works done, to all the customers, to the society, stakeholders. They are accountable for all our actions, to our clients, our community, our shareholders and each other. They at no cost will negotiate on their morals. The every deed and word of ours is kept as records. They investigate and take risk and proudly take judgments. Integrity- They always behave fairly and equally and respect the promises given by them. Through their actions and morals, they want to get faith of their stakeholders, clients, and people. They have the potential to speak up when something wrong happens Values Macquarie works on six key values and ethics (Welcome back: discover the Macquarie..., 2016). These are Truthfulness Client Assurance Surviving for profits Working in a team Satisfaction of people Teamwork and the bigger ideals. Corporate Social Responsibility The Macquarie Group Foundation funds agenda provides advantage to society in streams of study, health care, health enquiry, surroundings that benefit the entire community in areas of education, arts, health research, health care, welfare and the environment. At present the foundation announced that Macquarie will give a benefit which helps workers to be dedicated to contribute on daily basis to donations or charities by regularly reducing the workers wages (Welcome back: discover the Macquarie..,2016). The Macquarie Group Foundation gives strength and provision to public organizations across the world every year by giving them investment funding, globally each year through financial support, undertaking and membership in services most preferably in regions where Macquarie functions. The working of Macquarie is highly inclined by the actions and happenings of their workers with primary emphasis on the capability construction in the public domain and thus enhancing movement in social and finance areas. Stakeholders The main stakeholders for Macquarie Group are its shareholders, its people and society. Analysis of Statements SMART stands for Specific- should target a specific area Measurable- should be quantifiable easy to measure Assignable- should specific as to who is going to do it Realistic- The results should be achievable with the given resources Time bound- has a timeline attached to it CSLs vision is specific as it targets the safety and quality aspect of its products. Also, it emphasizes on commitment towards creating the best possible therapies and services. Its mission talks about being a growing company which intends to create products which would benefit the health care industry. Macquarie is very specific about its vision as it talks about promoting profitability and delivering value to its shareholders. It also releases very clear corporate governance guidelines every year which are strictly to be followed (Cothran Clark, 2015). Measurability- There isnt any criteria of measurability in the vision of CSL. It commits on providing best possible therapies and services. However, there isnt any metric defined as to how best possible product will be measured or assessed against the other products/ services available in the market. Similarly, its mission does not indicate as to how it will assess whether its products are benefitting the health care segment or not (Annual Report, 1999). Macquarie talks about delivering profitability and value to its shareholders which are clearly measurable metrics. Assignable- CSL assigns the responsibility of its research and development team to create the best therapies and services which are supreme in quality and are safe for consumers to use. Macquarie on the other hand assigns the responsibility to its staff to pursue and grab as many opportunities as possible with calculated risks. It also clearly defines what it means by the term opportunity, for its people. Realistic- CSLs vision focuses on the safety and quality of the products. However, providing the best possible products seems to be a little unrealistic as it is not possible to measure if its products are the best in the market. Delivering profitability and value for its shareholders and sound corporate governance procedures are realistic parameters that Macquarie aims to focus on and deliver in the future. Time bound- CSL does not assign any timeline to its mission and vision. In a similar way, Macquaries statement also does not indicate any timeline attached to it. Believable and Add Value CSL Behring is saying that they will provide the best possible products but it is not possible to define what are the best possible products available or cant be designed by any pharmaceutical company. So, it is not believable. They say that they are serving the people and the society. This is believable and looking at many past records of the company. As US FDA (Food And Drug Administration) has also approved it in providing treatments to diseases like A, providing Pediatric Treatment for Hereditary Angioedema (HAE) and thus serving the society (U.S. FDA Approves CSL Behring's Berinert.., 2016). So this is believable. Macquarie aims at providing value to shareholders and aims at making profits. This is believable. Their method of working is also believable. CSL group adds value to the needs of the people and the society by developing new inventions and laying more emphasis on demands of affected people. Macquarie adds value for its workers as according to an investment bank UBS, it pays its worker very good salaries (Letts, 2015). It is also valuable for its shareholders as it thinks of their profits and give them maximum returns. Conclusion Macquarie group has SMART goals in comparison to CSL group. It aims to measure profitability and value provided to shareholder in comparison to the global vision of CSL of providing best quality products to its consumers. Similarly, the vision of Macquarie group is realistic and achievable in comparison to the CSL group. List of References Macquarie Group Limited, 2016. Welcome back: discover the Macquarie difference. [online] Available at: https://www.macquarie.com/au/corporate [Accessed 31 March 2016]. CSL Behring, 2016. CSL Behring: Biotherapies for life. [online] Available at: https://www.cslbehring.com/homepage [Accessed 2016]. Clark, L. J., Wysocki, A., Cothran, H., 2015. Developing SMART goals for your organization. UF/IFAS Extension. Letts, S., 2015. Macquarie Group pays its staff too much, says rival investment bank UBS. ABC News. Company Overview ofCSL Behring LLC, 2016. Bloomberg. CSL Limited, 1999. Annual Report 1998-1999. Melbourne:CSL Limited.